The Mercenary River #NickHigham #TheMercenaryRiver

The Mercenary River

By Nick Higham

Published by Headline https://www.headline.co.uk/?msclkid=3e120313a9cf11ec9bb68945b749dfb0

428 pages ISBN 9781472283832

Publication date 14 April 2022

I was sent I proof copy in exchange for a fair review and would like to thank the author, publisher and Caitlin Raynor for arranging this.

From the blurb

Private Greed, Public Good: A History of London’s Water.

No city can survive without water, and lots of it. Today we take the stuff for granted: turn on a tap and it gushes out. But it wasn’t always so. For centuries London, one of the largest and richest cities in the world, struggled to supply its citizens with reliable, clean water. The Mercenary River tells of that struggle from the Middle Ages to the present day.

Synopsis

A comprehensive account of how London has been supplied with water by a combination of private enterprise and public authority since the Seventeenth Century.

My thoughts

Although I do read a lot of crime and thriller novels I do like to ‘cleanse my palate’ by reading the occasional non-fiction or sports book. Having read this book I can say that it includes a fair amount of crime, albeit corruption and a fair number of deaths due to a combination of recklessness, negligence and ignorance.  

The book centres on The New River which was a manmade waterway cut to send clean water from Hertfordshire to London and provides the spine of the narrative as stories lead back to it. Quite fitting in a way seeing as it is still in use and provides 10% of London’s drinking water today. It was built using private enterprise using a novel route of a joint-stock to company raise the finance. The big increase in the use joint-stock companies in general business was then to lead to the Limited Company which we are all familiar.

One thing the book makes clear is the enormous profits that can be made if there is a monopoly on supply. A £100 share in The New River company was selling for £15,200 in 1827 and £95,000 in 1883. The average dividend paid during the eighteenth Century was £265 per share putting the holder within the top 3% of earners.

The profits can be great until there is competition. Water supply is a capital-intensive business with huge amounts of infrastructure required most of which would be duplicated. Competition may seek to drive down price but the adverse effects that can be felt by the customer in quality and the water company in reduced profits pushed companies to collude and actively avoid competition.

Where major investment has been made super profits have followed and it was a lack of investment which drove the privatisation push during the late Twentieth Century. I would suspect that many consumers would argue that the current large profits are due to price increases rather than infrastructure improvements.  

Mr Higham quotes Dr John Arbuthnot who described the Thames water as ‘foetido-cabbageous, dead-dogitious, dead-catitious, Fish-street-bilious.’ Seeing as we appear to have come full circle with sewage being released in rivers one must hope that this doesn’t become the case again.

For those of who are hands on and like all things mechanical there is plenty to interest, starting with how the original water pipes were made of wood and were later to become made of cast iron. There is the development of the steam powered pumping engines which started in Cornwall for pumping out tin mines but were progress massively in both size and efficiency in service of the water industry. Also mentioned are the great filtration beds which were eventually to become widespread, and many are still in use today. Another key development is the sewer system by Joseph Bazalgette and how vital it remains to London.

Water was expensive and the poor were usually working such long hours to merely survive that they rarely had the time or money to launder clothes. The working classes being so fragrant that Edward Bulwer-Lytton was to coin the phrase ‘the great unwashed’ which in 1830 had real meaning.

Naturally there is mention of sewerage and nightsoil, of outside privies and cesspits. We now know how vital good sanitation is and reading about it can simultaneously turn one’s stomach and may one glad to be alive today and not 150 years ago. We can also read about how todays anti-vaxxers are nothing new and that for much of history there has been a laissez-faire complacency with regards to public health. Even when the now famous (so famous he has a pub named after him) Dr. Snow did so much to demonstrate that cholera was a water borne disease and that merely closing a public water pump at a contaminated site could reduce the incidence he was met with scepticism. After it was established as a fact contaminated water was still supplied through a combination of greed and recklessness. No wonder beer consumption was so great when the brewers sourced their water from artesian wells. Perhaps this is where the UK approach to drinking low alcohol beer in bigger quantities compared with our European near neighbours originates?

The writing is clear and concise, as would be expected from a journalist, and it is clearly a well-researched book. It is a serious book which manages to retain the reader’s interest through a series of fascinating stories and insight into the past which never becomes dusty and dry. Anyone who is interested in social or industrial history is going to lap this up.

The Author

Nick Higham

Nick Higham hails from London and is a journalist who has spent 30 years at the BBC: fifteen as their arts and media correspondent and also hosting ‘Meet the Author’ on the BBC News Channel. His interest in London’s water began with the New River, which originally ran to New River Head on the borders of Islington and Clerkenwell, within sight of the building housing the London Metropolitan Archives where much of his book was researched.

The book can be purchased from the publisher here

Crow Court #AndyCharman #CrowCourt

By Andy Charman

Published by Unbound https://unbound.com/

320 pages ISBN 9781800180901

Publication date 21 January 2021

I was sent a paperback copy to enable me to take part in this Blog Tour. I would like to than Anne at Random Things Tours for the invitation to participate and of course the Author and publishers.

Unbound is the world’s first crowdfunding publisher, established in 2011. The publication of Crow Court was made possible thanks to individuals pledging their support, a list of whom is included on pages 321-323.

From the blurb

Spring, 1840. In the Dorset market town of Wimborne Minster, a young choirboy drowns himself. Soon after, the choirmaster-a belligerent man with a vicious reputation-is found murdered, in a discovery tainted as much by relief as it is by suspicion. The gaze of the magistrates falls on four local men, whose decisions will reverberate through the community for years to come.

Synopsis

It becomes apparent that the choirmaster in the Dorset market town of Wimborne Minster is harsh, unpleasant and ungodly man. He is Matthew Ellis who known amongst the choirboys as ‘Buggermaster’ and someone to be avoided. When a disturbed young choirboy drowns himself following abuse at his hands some of the locals decide something must be done. When four local men decide to confront him, he is found with knife wounds to his abdomen and they immediately fall under suspicion for his murder, though it isn’t clear what happened.

Then covering a time span of twenty-three years and through a series of fourteen interwoven tales the continuation of life in Wimborne Minister is laid out. All through that time the events of spring 1840 are not forgotten and the fear that justice will be metered out.

My thoughts

This cleverly constructed novel isn’t so much a whodunnit as a who-didn’t-do-it. The plot revolves around the apparent murder of the choirmaster and that incident produces tendrils twisting in and out of a series of stories which then follow. These stories convey the impact of the murder over the coming years and how it effects the lives of those loosely connected to it. From the Crow Court itself onwards the crow makes symbolic reappearances as the harbinger of death and misfortune.

The writing style is sympathetic with the period, avoiding modernisms and without introducing arcane language, but the prose doesn’t suffer by becoming too dense. The introduction of Dorset dialect works well, it being used by the characters one would expect to be speaking it with the more refined classes avoiding it. For me this helps to lift the dialogue, breaking up the rhythm or metering, in the absences of incident or action. It is skilfully used rather than randomly employed and while I’m sure many readers will be able to read and comprehend it with little trouble there is a helpful glossary of terms at the back.

Mid eighteenth-century rural life is lovingly described, and the characters sympathetically portrayed, especially those lower down the social order. The stories which feature Art and Jane Pugh are captivating, Art the simple man of hard graft and Jane a woman who must learn the secrets of nature to eke out their existence. In another time she may have been regarded as a witch, but here she is able to befriend and pass on her knowledge to Evelyn. The author clearly has affection for the county of his birth, its people and their shared history.

It’s not all country idyll though as we see the plight of the farm labourers as the face grinding poverty becoming itinerant workers just to survive. Some resort to burning threshing machines, as mechanisation makes workers redundant, a crime that could lead to transportation to Australia. These were still brutal days for many people, and we get reminders throughout of this, be it the threat of the Workhouse, life at sea or the plundering of empire.

The fourteen stories themselves vary both in length and content. Naturally some will appeal to the reader more than others. My favourite was The Smuggler’s Trick in which Charles Ellis, the half half-brother of the dead choirmaster, pits his wits against the local Customs man Domoney to land contraband goods. This is quite a light-hearted piece where Charles comes over as a Victorian Arthur Daley and then produces sleight of hand illusion worthy of David Copperfield. All bluff and double bluff, making the Customs men look fools and repeatedly deliberately mispronouncing the name Domoney as Do-Money just to wind him up.  There are sprinklings of humour and choice expressions throughout and Art’s Last Laugh, the shortest story, which is both funny and poignant.

Questions of morality arise throughout the novel and characters face difficult life choices. Murder someone to save a child from being abused but possibly face the gallows? Confess to a murder you didn’t commit because you are dying in the hope of saving your friend? Exhume your wife’s grave because you fear there may be another body in there?

The great change of the period is also reflected with industrialisation and mechanisation, changing attitudes and in the final story the conflict of science and religion. Dorset is the birthplace of palaeontology and so it is fitting that the final story has the reverend Giles going fossil hunting with his nephew Felix and contemplating what the bible says compared with what Charles Darwin has just published.

This is a very enjoyable and accessible historical novel which will appeal to casual readers as well as the hard core historical novel fan. The writing is a delight, the plot construction unusual and the love for Dorset and its people shine through every story.

The author

Andy Charman was born in Dorset and grew up near Wimborne Minster, where Crow Court is set. His short stories have appeared in various
anthologies and magazines, including Pangea and Cadenza. Crow Court is his first novel, which he worked on at the Arvon course at The Hurst in
Shropshire in 2018. Andy lives in Surrey and is available for interview, comment and events.

The e-book version can be purchased from Unbound here

River Clyde #SimoneBuchhilz #RiverClyde

By Simone Buchholz https://simonebuchholz.com/

Translated by Rachel Ward http://www.forwardtranslations.co.uk/

Published by Orenda Books https://orendabooks.co.uk/

276 pages ISBN 9781914585067

Publication date 17 March 2022

This is book 5 in the Chastity Riley series

I was sent an electronic copy to enable me to take part in this Blog Tour. I would like to than Anne at Random Things Tours for the invitation to participate and of course the Author and Karen at the publishers.

From the blurb

When a mysterious letter suggests that she has inherited an old house, Chastity Riley travels to Glasgow, where she is forced to confront the demons of her past. A powerful breathtakingly emotive new thriller from the Queen of Krimi, Simone Buchholz.

Synopsis

The novel is set a little while after the events in Hotel Cartagena (review), when State prosecutor Chastity Riley and her friends were taken hostage in the twentieth-floor bar of a Hamburg hotel. That ended badly with their colleague Faller being killed and an explosion. Those present that night are trying to come to terms with the loss of Faller and the trauma of the incident and so are on sick leave.

Riley receives a letter from a solicitor in Glasgow which has the news that she has been left a property in the will of a great aunt she knows nothing about. Riley heads to Glasgow curious and in search of a means to recover her wellbeing and release the ‘concrete’ inside.

Of the detectives Ivo Stepanovic and Vito Calabretta are called back to duty in investigate an arson attack which resulted in significant destruction and major loss of life. Their suspicion falls on a couple of property developers who seemingly have killed three of their colleagues.

Meanwhile Anne Stanislawski is introducing Schulle, Bruckner and Inceman to alternative methods of therapy back in Hamburg.

Once in Glasgow Riley quickly makes new friends and fits in with drinkers in the East End pubs. In one pub she is introduced to Tom Gomoszynski, an artist who has recently had a stroke. He is instantly besotted by her and eventually produces an old photograph of a woman who looks just like Riley. That woman is Eliza Broome, Riley’s recently deceased great aunt, who was Tom’s lover. Friendship blossoms between them and Tom offers to take Riley to the house so that she can decide whether to accept the bequest. This trip has a profound impact on both of their lives.

My thoughts

To borrow from Marks and Spencer, “This is not Pulp Noir, this is Existential Noir.” This really is something different to the usual Noir or crime fiction story. This beautiful novel covers the themes of belonging, personal healing and acceptance with a delicate light touch.

The writing is sparse and tight but at the same time manages to convey so much. The chapters are short, one being just one sentence, but the structure works perfectly as the narrative switches between Glasgow and Hamburg, reality and spirituality. The work by the translator is incredible to maintain such brevity.

Early in the book there are some ‘Summer of Love’ vibes as the characters try to recover from the effects of the kidnapping. Riley lies under a rhododendron bush in the park looking up at the sky and shares her space with Stepanovic. Then there’s Anne and the three detectives on the blanket in the park picnicking on frankfurters and potato salad and enjoying intimate contact.

There are surreal moments too. Riley comes across Necropolis the stag and the have a conversation before he directs her on her way, because ‘that is what he does’. Similarly, the tiny Perch Café which seemingly becomes impossibly busy, turning Tardis like into something much bigger and busier and always in need of staff. There’s nice seam of humour throughout such as a tips jar marked ‘Boris Johnson Hitman Fund’ or the Gypsy woman who parks her heavy breasts on the table.

In Glasgow Riley’s apparent lack of fear quickly has her mixing with the ‘colourful’ locals and enjoying their company in the pub. Here she discovers Tennents, whisky and fish and chips, quickly becoming assimilated with the locals, happy to drink with them or smoke a cigarette outside. This I can relate to, some Scottish pubs and bars particularly in the more deprived areas can appear to be intimidating from the outside, but I have met some of the friendliest people within them. What better way to appreciate your Scottish roots, Riley had never been there but felt as if she always belonged there with part of her wanting to remain.

When Tom and Riley visit Eliza’s house the whole dynamic changes and the plot comes alive. Tom falls for Riley in a platonic sense (as he said there could be no other) and clearly, he still loves and misses Eliza. Seeing Riley has stirred up all his deep-seated emotions. Once within the property Riley manages to push aside the gossamer thin curtain between reality and the spectral world with the ghost of Eliza finding a way communicate to her. Through this connection she is shown family history and a little of the love she had for Tom. This enables Riley to put into context her feelings since she arrived in Scotland and perhaps a means to accept if not forgive the desertion of her mother and suicide of her father.

Back in Glasgow Riley makes it possible for Tom and the ghost of Eliza to reconcile and be together.

All the time the River Clyde is calling to he trying to draw her in and to remain in Glasgow, but will she stay?

The Author

Simone Buchholz was born in Hanau in 1972. At university, she studied Philosophy and Literature, worked as a waitress and a columnist, and trained to be a journalist at the prestigious Henri-Nannen-School in Hamburg. In 2016, Simone Buchholz was awarded the Crime Cologne Award as well as runner-up in the German Crime Fiction Prize for Blue Night, which was number one on the KrimiZEIT Best of Crime List for months. The critically acclaimed Beton Rouge, Mexico Street and Hotel Cartagena all followed in the Chastity Riley series, with River Clyde out in 2022.

She lives in Sankt Pauli, in the heart of Hamburg, with her husband and son.

Copies of the book can be purchased direct from the publisher here

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