By Chris Lloyd https://chrislloydauthor.com/ @chrislloydbcn
Published by Orion Publishing Group https://www.orionbooks.co.uk/ @orionbooks
416 pages ISBN 9781409190301
Publication date 23 February 2023
Paris Requiem is the second novel in the Eddie Giral series.
Click on the link to read my review of The Unwanted Dead the first novel in this series.
I was allowed access to a pdf review copy on Net Galley https://www.netgalley.com/ @NetGalley in exchange for a fair review. I would like to thank the Author and Publisher for organising this.
The cover
Dark and gloomy, fitting for a man who must work in the shadows.
From the blurb
Paris, September 1940.
After three months under Nazi Occupation, not much can shock Detective Eddie Giral. That is, until he finds a murder victim who was supposed to be in prison. Eddie knows, because he put him there. The dead man is not the first or the last criminal being let loose onto the streets. But who is pulling the strings, and why?
This question will take Eddie from jazz clubs to opera halls, from old flames to new friends, from the lights of Paris to the darkest countryside – pursued by a most troubling truth: sometimes to do the right thing, you have to join the wrong side…
My thoughts
Its three months on and much has changed. Eddie’s son Jean-Luc has made his way down France and is currently in The Pyrenees waiting for a guide to take him over the border and the relative safety of Spain. In Paris the German occupation is starting to bite as they are controlling the residents, there is a strict curfew in place, and rationing has been introduced.
Eddie is called in to investigate a murder, a gruesome symbolic one, as the victim is bound to a chair with his lips roughly sewn together with twine. He has been suffocated. The setting is strange one, the victim is in a long-closed jazz club, hardly the place for a known robber to find rich pickings in the safe. It doesn’t follow his usual Modus Operandi either, he’s a roof man, used to entering via skylights, he wouldn’t lower himself to go in through the front door. The oddest thing of all, he should be in prison, Eddie knows this because he put him there, so who has got him out of prison?
It transpires that somebody has managed to get several criminals from across Paris, who have no connections to each other from either working together or in gangs, released. It’s as if someone was building a gang of gangs, a supergroup of the cream of the Paris underworld. But who would have the power to set them free and hope to control them? It must be the Germans.
Two names come up for Eddie to investigate, Capeluche and Henri Lafont. A bit of digging in the library shows that Capeluche was an executioner in Fifteenth Century Paris, so a suitable nom de guerre for a killer. But who is Henri Lafont? Nobody knows a crook by that name, and he draws a blank back at the library. Is he real or a kind of Keyser Söze?
The plot is the investigation behind this release but there are side issues, the search for the sons of two women and the protection of Jean-Luc who is not yet safe. The pacing is steady but unrelenting, there’s a lot of ground to cover before the reveal and the satisfying finale.
As Eddie is beginning to discover in this war of occupation there is no absolute good and bad, sometimes to survive you must settle best solution you can achieve and live with. With the competing German factions, the Abwehr (intelligence), Wehrmacht (army), Schutzstaffel (SS) and Sicherheitsdienst (SD) and then the dreaded Gestapo in his way his job is near impossible. He may have to humour the Abwehr to avoid supping with the Devil, there is no spoon long enough to work with the Gestapo. All the while there are acts of resistance, collaboration, and the nagging feeling that even some of his colleagues are not to be trusted. Trying to be a moral man under these conditions is near impossible.
Eddie’s character is developing, trying to do right by Jean-Luc he is starting to bury his demons to the extent that he throws the dud bullet away. After a lifetime of letting people down and throwing friendships away Dominique is finally getting him to reflect on past mistakes.
Humour is used sparingly but to great effect. This is no wisecracking smart lipped detective at work, under occupation that would just get you killed. Its much more subtle and all the more cutting for it. There’s a brilliant take down of opera, a German one at that, and it avoids the trope of fat ladies singing. The opera connection is important though. Replacing the wisecracks are Eddie’s observations and great use of similes to express the vulgar.
This is a novel with a great atmospheric feel to it, the unlit streets of the Paris black out, night-time in the graveyard and scrambling around the countryside. Then to top it off there’s a child singing a strange melody who is dogging Eddie but he cannot catch up with him, shades of a Sergio Leone spaghetti western here. Its fabulous Noir, it could almost be a black and white classic of the period, if they were to film it chiaroscuro style would be perfect.
There are real incidents within the fiction which help with the overall feel, there is genuine authenticity about it. In the UK we knew about rationing and privation, particularly during the days of the war in the Atlantic, but we didn’t have the German’s pillaging the countryside for produce. This is brought home in the novel, three months in and produce is being systematically stolen or ‘purchased’ for next to nothing be it food, drink or clothing. Even the lowliest German soldier could participate in this state sanctioned looting. Already the Parisians are suffering hunger, queuing for hours for the scraps left over. By 1945 much of mainland Europe was surviving on 500 or 600 calories (that’s less than a ‘fasting day’ on the 5 2 diet!) There are also hints at the atrocities to come. There’s Eddie’s despair at being pulled out of a food queue when he gets near the front to him going rogue in the countryside, where he cannot help himself. So, an intelligent and largely factual portrayal of life at the beginning of occupation within a framework of an entertaining thriller.
Paris Requiem is a magnificent war time police procedural that evokes a downtrodden and defeated Paris that is almost tangible. I think this is destined to be a great series.
Paris Requiem can be purchased via the publishers website here
The author
Chris was born in an ambulance racing through a town he’s only returned to once, which probably explains a lot.
Straight after graduating in Spanish and French, he hopped on a bus from Cardiff to Catalonia where he stayed for the next twenty-odd years, first in the small and beautiful city of Girona, then in the big and beautiful city of Barcelona. He’s also lived in Bilbao, pre-empting the Guggenheim by a good few years, and in Madrid, where his love of Barcelona football club deepened. During this time, he worked as a teacher, in educational publishing, as a travel writer and as a translator. He still spends part of his day translating lofty and noble academic and arts texts.
Besides this, he also lived in Grenoble for six months, where he studied the French Resistance movement, a far deeper and more complex subject than history often teaches us and one that has fascinated him for years.
Source: Author’s website